A suit is a question, not a branch.

The armour's material points at blank layer textures, so no shell is drawn over the wearer. A render layer paints the suit onto the player's own model instead, which is what makes it sit flush rather than as bulky armour. Coverage is per piece and the base render skips exactly what the layer draws, so the seam is exact. Powers do not need the mask — the shooters and the swing want the chestplate, leggings and boots; the mask only changes how you look.

Wall transitions are decided by the owning client, because vanilla movement is client-authoritative and only the client has real velocity and collision. The server validates each claim against world geometry and rebroadcasts. The wall latch is the opposite — held entirely by the server, because it dictates velocity rather than reacting to it, so it never has to read the player's own.

Detection runs server-side and the result goes only to the sensing player. Broadcasting it would hand every client the position of things they cannot see. Outlines come from Core's glow registry, so they are local to that client, need no scoreboard team, and never touch synced glowing state.

The swing clip's authored track for the reaching arm is dropped at load, and the arm is solved each frame to point at the live anchor — so it tracks the real web rather than a baked pose. In third person the rope starts at the hand read out of the posed model during rendering, not at a position reconstructed from the player; by then the hand has been moved by the clip, the arm aim, the body lean and the spin, and any reconstruction of that is the error that leaves ropes hanging in open air.

A bullet rolls about the axis it travels along, and that axis is only known at the moment of the spin — a keyframed root turned an upward launch into a flat propeller sweep. Its clip carries the limb tuck alone and the renderer tips the body to line up with live velocity. Rocketing straight up needs no tip; flat-out travel tips ninety degrees.

Catching mid-somersault carries the inversion into the swing: you hang inverted from the strand, gripping it overhead with both hands and knees splayed, rather than snapping upright. The window is the half of the turn between 90 and 270 degrees, which is why the bullet spin never qualifies — it only pitches to about 78.

There is no gravity component along a level rope to swing on, so treating one like a pendulum could only spin you around the anchor. Throws far enough off vertical let the line pay out, relieve most of the inward pull, and get more forward drive instead. How side-on a throw was is measured once, when the web catches — a rope tips away from vertical simply by swinging, so judging it live would turn every overhead swing into a side one halfway through its own arc.

The pieces have no durability. Not a large amount, and not damage cancelled after the fact — an item with no maximum damage is never damaged at all, so there is no bar, nothing to repair, and no path by which a suit could break. A worn suit also takes fall damage down to nothing, passively: every traversal move here ends in a drop.